THE POWER ISSUE 2026
THERE IS POWER IN ART
The Art in Storytelling. As told by Massachusetts artists.
The Power Issue 2026 was curated by Massachusetts artist Dina Brennan. With notes by David Petty, owner and curator of The Frame Center in Hanover, MA.
Some stories are told with a pen. For some, a paintbrush. Perhaps a camera. Others, clay. A writer creates a character from their imagination, bringing them to life by giving them a past and a present, and conveying a message on the author's behalf. An artist loads their brush and creates layers of color and texture, giving each stroke a reason to be on the canvas and helping shape the story.
But there is a tool we all use, though we rarely name it: Time.
We want to be remembered. What’s more, we want to be the one who controls how we are remembered. That is not a big ask, more of an individual right. But I’m not a writer, so will my story be passed on?
Storytelling is how we ensure our collective experiences are preserved and passed on to those who need to know them. History is a collection of events, but just as importantly, a collection of perspectives. This is how we connect with each other. The collective experience is how we ensure historical accuracy (is history accurate if it’s exclusive?).
Edward Hopper said, “If I could say it in words, there would be no reason to paint.”
A moment preserved on canvas tells us as much about you as a memoir. The delivery is by you, the creator; the information is for me, the observer. When I hang your story on my wall, I’m brought into your experience. When I show it to a guest, I am passing it on, and so they will know you and share what they learned with another, and so on. I read a book, store it on my shelf, lend it to another, and reread it occasionally. I am keeping that story accessible and in my memory, as the author told it.
Let’s return for a moment to the part about the observer. The most difficult part of letting your story go out into the world is that gnawing feeling about how it will be preserved. Will the new owner take care of it? How will the story be retold as it’s seen in its new home? How will my story, my art, be remembered in a generation? T
rust! It’s a prerequisite to passing on the authority responsibility of your story. When we tell our truth, there’s no room for debate. And time will tell.
Hopper’s point is that we should tell our truth, however we can. Then we trust and give it time.
Dina Brennan and Dave Petty curated our Power Issue, filling pages on our site with artful storytelling on a long timeline. Each artist reminds us of how powerful art is in bringing people together. Dina included an important keystone in any art community: the ambassadors. “They are committed to the art scene through art organizations, galleries, museums, running the business aspects, communicate with major collectors, produce the art publications, manage volunteers,and so much more for the artists, “ says Dina. “These are people who invest time and money into the arts and programs of the arts to influence and connect the community with art. They are facilitators and implementers of the local art scene. These ambassadors work behind the scenes and deserve the spotlight for their power to connect.”
Marcia Ballou
Dina Brennan
Susan Boardman Casey
Karen Cass
Margot Cheel
Nancy Cloonan
Nancy Colella
Melissa Diane
Mandy Fariello
Lori Fopiano
Denise Byrnes Graham
Nancy Sargeant Howell
Laura Tryon Jennings
Heather Kinney
Susan Lafevre
Kelley Carey MacDonald
Lisa Marder
Esther Maschio
Cindy McEachern
Natalia Mirabito
Paige Pearson Railsback
Donna Rossetti-Bailey
Jess Hurley Scott
Judy St. Peter
ART COMMUNITY CATALYST: ARTYPANTS MAGAZINE
ART COMMUNITY CATALYST: THE SPARE STUDIO
ART COMMUNITY CATALYST: Savage Godfrey Gallery
ART COMMUNITY CATALYST: THE WRIGHT BUILDING
